Chances are you’ve read a review of The Lighthouse by now. ‘Dems the breaks for critics who see a film the week of release and not a month or two in advance. So in lieu of a review, I’m going to break down the film’s Oscar prospects and what Robert Eggers’ new film deserves rather […]
Author: studentfeedbackfestival
Spenser Confidential, an Extended Crime Serial — Film Epoch
Mark Wahlberg and director Peter Berg are in it for the long haul. After raking in dough and semi-decent reviews for Lone Survivor in 2014, the pair have been inseparable ever since, even in the face of diminishing returns. Deepwater Horizon, probably their best effort, failed at the box office under the weight of a […]
via Spenser Confidential, an Extended Crime Serial — Film Epoch
Bad Education, a Terrific Story of Entitlement — Film Epoch
Originally shared on The Film Experience Filmmaker Cory Finley is fast becoming an auteur. That much is clear, and more, when watching his second directorial effort Bad Education, a great film unfortunately relegated to the streaming fringes of HBO. A film this good would’ve been poised to make a bigger splash with Netflix or Amazon, […]
via Bad Education, a Terrific Story of Entitlement — Film Epoch
The Wrong Missy, Wrong Actor — Film Epoch
So far, The Wrong Missy is one of the worst movies in a pretty bad movie year, thanks to the pandemic. It’s one of those films you watch, write about, and then wonder “what am I doing with my time? My life?” It’s a comedy that might have worked better with a different star, a […]
The 2020 First Quarter Catch-up — Film Epoch
For obvious reasons, 2020’s been a long year and we’re only through four and a half months. Below are some of the best movies of this year that have largely gone unnoticed or underappreciated. LITTLE JOE A BBC indie about plant breeders who engineer a flower so powerful the little plant can influence the human […]
The Lovebirds, a Comic Mishmash — Film Epoch
Michael Showalter’s follow-up to The Big Sick is both a wonderful showcase for its two stars, the whip-smart Kumail Nanjiani and Issa Rae, and a disappointing mishmash of comedy and murder mystery. Though we know it was originally intended for theatrical release, the film continues a strange, disquieting trend of so-called “Netflix originals” which feel […]
Seberg, Sad but Stilted — Film Epoch
I didn’t know much, if anything, about Jean Seberg. She was a French actress who flitted back and forth between Europe and Hollywood, enjoying a relatively short career before the FBI ruined her life and sent her packing back home. So in terms of her filmography, she’s been a blind spot for me personally. Amazon’s […]
Swallow, Squirm-Inducing Feminist Cinema — Film Epoch
My gag reflex is notorious for anyone who’s ever called me their dentist or doctor. There’s a strong resistance to the very thought of gagging or choking, a powerful emotion that induces the feeling itself when provoked, even by imagery. So it goes that Swallow, the excellent feature directorial debut from Carlo Mirabella, is such […]
The King of Staten Island, Casually Funny, Humanist Drama — Film Epoch
***Originally shared on The Film Experience*** The King of Staten Island is both typical Judd Apatow and a pretty big departure from the world he knows and has often depicted on screen. Make no mistake, it’s an overlong, meandering coming-of-story about a slacker who can’t get his head on straight until he does (very familiar), but […]
via The King of Staten Island, Casually Funny, Humanist Drama — Film Epoch
Student Festival Testimonial – June 17 2020
Submit exclusively via FilmFreeway: Lung Lee Brilliant! The first-ever film festival I’ve joined with an audience feedback video. Thanks for the award.








