Me-ow. The Visual Effects Society is slamming the Oscars over Sunday night’s Cats-themed bit involving James Corden and Rebel Wilson. “Last night, in presenting the Academy Award for Outstanding Visual Effects, the producers chose to make visual effects the punchline, and suggested that bad VFX were to blame for the poor performance of the movie……
via Visual Effects Society’s claws come out after Oscars Cats joke — EW.com
Gal Gadot is waiting for the boosh. Eyes narrowed, bouncing lightly on her toes — float like a butterfly, sting like an Amazonian queen — she moves soundlessly through the chilled air of cavernous studio outside London, her shoulder blades blooming into a set of molten-gold wings. 2,438 more words
Life is not the amount of breaths, it’s the amount of moments in Hitch that take your breath away. If you follow me on Twitter… 1,731 more words
via Why Hitch is the greatest rom-com of all time: Opinion — EW.com
Nathalie Emmanuel is heading from the fantasy kingdom of Westeros to another mystical land with an intriguing name: Quibi. The Game of Thrones and, more relevantly, … 212 more words
via Game of Thrones star Nathalie Emmanuel joins Kevin Hart’s Quibi action series Die Hart — EW.com
Remember happy-crying during Jennifer Lopez’s pole-dancing routine to Fiona Apple’s “Criminal” (and ugly-crying at her final scene), watching Cardi B pull a dildo out of her purse, and screaming “We love you, Gary!” in unison with… 372 more words
via Hustlers star Constance Wu hasn’t seen Hustlers to avoid being ‘self-critical’ — EW.com
Now that Birds of Prey is in theaters, many moviegoers have met a young girl named Cassandra Cain. As portrayed by Ella Jay Basco, Cassandra is a loudmouth pickpocket who gets in over her head when she steals a priceless diamond coveted by crime lord Black Mask (Ewan McGregor), prompting the titular girl gang to…
via After Birds of Prey, meet the real Cassandra Cain in Shadow of the Batgirl comic — EW.com
Film Courage: Did you move here in 2006? Adam William Ward, Actor/Director: Yes, I came to Los Angeles in 2006. My first day in town actually I got hired at DreamWorks in post-production. My brother got me a job there so Day 1 I walked up to Universal (I was looking for DreamWorks) and they […]
via Quitting A Hollywood Job To Make Movies by Adam William Ward [FULL INTERVIEW] — FilmCourage.com
“In early 1940s Hollywood,” writes Robert Guffey, “you had to go out of your way to descend any lower than Monogram Studios.”¹ Monogram was one of the small Hollywood studios – collectively known as Poverty Row – that produced low-budget “B” films. Monogram specialized in action and adventure; one of their stars in the early-to-mid 1930s […]
via 1940s B Horror Films and the 21st Century Mind — Silver Screenings
Warning: Spoilers abound. We may never know how many “heroes” throughout history were actually criminals, because you know the old adage: Steal your wealth, but buy Respectability. These folks are celebrated in song, literature, and the naming of public buildings, but what if some of them were working against the system they claimed to uphold? […]
via Criminal Masterminds Who Die as Heroes — Silver Screenings
You know what they say: Go Big or Go Home. The British film, Saraband for Dead Lovers (1948), is a perfect example – a costume drama about a Doomed Love Affair. But it’s also a film about Political Intrigue, Waging War, and trading favours for Personal Gain. That’s a lot of business to conduct in […]
Student & Young Filmmakers FEEDBACK Film & Screenplay Festival 