Film Courage: What suggestions do you have for screenwriters on developing a character? Evan Kidd, Filmmaker/Podcaster: You need to know what your character needs to achieve in your broader story. You also need to think Okay, what would happen if I spent time with this character? I always think of it that way. Anytime I […]
via 4 Tips For Developing And Writing A Character - Evan Kidd — FilmCourage.com
Film Courage: What screenwriting skills are hard to learn but will pay off later down the line (and pay dividends)? Paul Joseph Gulino, Associate Professor at Chapman University Dodge College of Film and Media Arts: What will make you rich? Let me tell you…Actually in the last chapter of that new book I said How […]
Travis Seppala, Screenwriter/Author: Tip #2. Film Courage: Tip #2 — “There are only two screenwriting rules?” Travis: Yes, so I’ve got in my book here [365: A Year Of Screenwriting Tips] I’ve even got them labeled for you — Rule #1 is Write a script that looks like a script. Which I’ve already talked about, right? So if it […]
via There Are Only Two Screenwriting Rules by Travis Seppala — FilmCourage.com
Film Courage:What makes you great at story? Writer/Instructor and Script Consultant Shannan E. Johnson (The Professional Pen): That’s a good question What makes me great? Okay, what makes me great at story is that I understand story. And there is a difference between having an idea and having a story. I think a lot of […]
via A Great Idea Doesn’t Make You A Writer by Shannan E. Johnson — FilmCourage.com
Film Courage: You had a Tweet recently about action lines and it received lots of engagement. Can we start with what action lines are aimed to do? David Wappel, Screenwriter: Action lines are aimed to accomplish two things: Tell you what is happening; How we see what is happening. You can use words to sort […]
What Does A Producer Look For In A Screenplay? by Joey Travolta via FilmCourage.com
via What Does A Producer Look For In A Screenplay? by Joey Travolta — FilmCourage.com
Film Courage: We’d like to hear about your first day or week in the MFA screenwriting program. What topics were initially taught? Was everything an introduction to the courses? Marty Lang, Screenwriter/Director and Assistant Professor of Film at the University of Central Arkansas/Director: It was a little bit of both. The first semester we had […]
via What Do You Learn The First Week Of An MFA Screenwriting Class? by Marty Lang — FilmCourage.com
Film Courage: If we were going to disassemble a great screenplay, take it apart and examine it, what would we find? Author and Chapman University Professor Paul Joseph Gulino: If we disassemble a great screenplay, try to reverse-engineer it and construct our own based on that what you would find it…let’s call them techniques or […]
Film Courage: Does every screenwriter need an agent or a manager? Erik Bork, Author/Screenwriter: You do if you’re not going to produce your work independently and you’re going to try and get it sold/produced by someone else. It’s pretty hard to do it without that unless you have a very close friend of relative who […]
via 4 Ways To Find A Screenwriting Agent Or Manager by Erik Bork — FilmCourage.com
Film Courage: When should someone quit their job to be a filmmaker? Jason Satterlund, Filmmaker: As soon as you can because think about it, what the rule of thumb is it takes 10,000 hours to master your craft and the longer you take to get those hours, the longer it’s going to take to kind […]
via An Artist Should Quit Their Day Job As Soon As They Can by Jason Satterlund — FilmCourage.com
Student & Young Filmmakers FEEDBACK Film & Screenplay Festival 