As America’s most famous activist filmmaker, Michael Moore has made his name with documentaries that prompt strong reactions from the right, from conservative pressure that led some theater chains to ban “Fahrenheit 9/11” to an entire film dedicated to explaining that “Michael Moore Hates America.” But now it’s prominent progressive activists and filmmakers — people…
At such an unprecedented moment in time, with more demand than ever for streaming content, the sheer volume of films across all the major SVOD platforms — specifically Netflix, Amazon Prime, Hulu and now Disney+ — can make finding a genuinely great movie an arduous task. 1,345 more words
via 10 Films By Black Filmmakers to Stream Right Now — IndieWire
Film Courage: Would you ever try to get a producer to work on your film for free? Peter Dukes, Writer/Director: I would and I have. Once I got into the feature world the rules were a little different. That scenario has come up actually but it’s a little tricker and things can change. In the […]
via A Filmmaker’s Journey From Short Films To Feature Films by Peter Dukes — FilmCourage.com
Film Courage: Do you think that writers should stay with one genre? Writer/Instructor and Script Consultant Shannan E. Johnson (The Professional Pen): I’ll tell you this, I always tell my writers to pick a lane. It’s not because of what I believe but because of what Hollywood believes. Hollywood likes to put people in boxes, […]
via Screenwriters Need To Pick One Genre by Shannan E. Johnson — FilmCourage.com
Eric Edson, CSUN Professor and Author: Mentor…two more. These are going to go relatively quickly but I would like you to see tonight at least these six. The mentor can be an person, any age as long as they pass on the skills and wisdom to the hero. There can be more than one mentor […]
via How To Write A Great Mentor Character by Eric Edson [Screenwriting Masterclass] — FilmCourage.com
Film Courage: What do you remember about the day where you said “This will be the last time picking up a camera?” Walid Azami, Photographer/Youtuber: I don’t remember the day that was Okay this is going to be the last time. But…can I flip it and tell you about the day that I got that […]
via Once You Lose Your Art, How Do You Get It Back? by Walid Azami — FilmCourage.com
Film Courage: Do you remember something that was said to you in one of these UCLA writing classes which you never forgot? Patricia Vidal Delgado, Writer/Director: Yes, definitely. Richard Walter [recently retired Professor and Associate and Interim Dean of the UCLA School of Theater, Film and Television for 40 years] said Nobody wants to see […]
Film Courage: What did studying Quentin Tarantino teach you about storytelling? Tara Wood, Filmmaker: What did studying Quentin Tarantino teach you about storytelling? His attention to detail on every level, I think that is what Quentin taught me. You have to pay attention, it’s all important. He has the Kangaroo from PULP FICTION on the […]
via What Can Filmmakers Learn From Quentin Tarantino? by Tara Wood — FilmCourage.com
Film Courage: What are three mistakes screenwriters make with loglines? Naomi Beaty, Writer, Screenwriting Teacher and Consultant: The three that I tend to see are stopping at the setup. So describing just the initial situation and not really giving us any indication of what is the meat of the movie if that makes sense? Often […]
via 3 Mistakes Screenwriters Make With Loglines by Naomi Beaty — FilmCourage.com
Jay Silverman, Director (OFF THE MENU)/Photographer: It’s either on the page or it’s not on the page. Scott Kirkpatrick, Author: This whole industry doesn’t exist with people twiddling their thumbs waiting for the right script to drop into their hands. Stanley M. Brooks, Filmmaker/Producer: I’m not sticking here for an hour waiting for you to […]
via 12 Things A Producer Looks For In A Screenplay — FilmCourage.com
Student & Young Filmmakers FEEDBACK Film & Screenplay Festival 